: Most-Read Full-Text Articles http://bjaesthetics.oxfordjournals.org/ Most-read rankings are recalculated at the beginning of the month based on usage of full-text and PDF views for the previous month. 2009-11-11 <![CDATA[Working Towards Art]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/4/317?rss=1&ssource=mfc Oct 1, 2009; 49:317-325
Articles]]> Roger Scruton 2009-10-01 Oxford University Press <![CDATA[Comics as Literature?]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/3/219?rss=1&ssource=mfc Jul 1, 2009; 49:219-239
Articles]]> Aaron Meskin 2009-07-01 Oxford University Press <![CDATA[Fantasy, Imagination, and Film]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/4/357?rss=1&ssource=mfc Oct 1, 2009; 49:357-369
Articles]]> Kathleen Stock 2009-10-01 Oxford University Press <![CDATA[Replies to Critics]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/4/451?rss=1&ssource=mfc Oct 1, 2009; 49:451-461
Articles]]> Roger Scruton 2009-10-01 Oxford University Press <![CDATA[The Aesthetic Appreciation of Music]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/4/415?rss=1&ssource=mfc Oct 1, 2009; 49:415-425
Articles]]> Jerrold Levinson 2009-10-01 Oxford University Press <![CDATA[Scruton's Philosophy of Culture: Elitism, Populism, and Classic Art]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/4/389?rss=1&ssource=mfc Oct 1, 2009; 49:389-404
Articles]]> Andy Hamilton 2009-10-01 Oxford University Press <![CDATA[Scruton on the Inscrutability of Photographs]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/4/341?rss=1&ssource=mfc Oct 1, 2009; 49:341-355
Articles]]> David Davies 2009-10-01 Oxford University Press <![CDATA[Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/1/43?rss=1&ssource=mfc Jan 1, 2009; 49:43-58
Articles]]> Jason Gaiger 2009-01-01 Oxford University Press <![CDATA[Is Art Modern? Kristeller's 'Modern System of the Arts' Reconsidered]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/1/1?rss=1&ssource=mfc Jan 1, 2009; 49:1-24
Articles]]> James I. Porter 2009-01-01 Oxford University Press <![CDATA[On the Very Idea of 'Outsider Art']]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/1/25?rss=1&ssource=mfc Jan 1, 2009; 49:25-41
Articles]]> David Davies 2009-01-01 Oxford University Press <![CDATA[The Propositional Challenge to Aesthetics]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/48/2/115?rss=1&ssource=mfc Apr 1, 2008; 48:115-144
Articles]]> John Dilworth 2008-04-01 Oxford University Press <![CDATA[The Perception of Music: Sources of Significance]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/3/257?rss=1&ssource=mfc Jul 1, 2009; 49:257-275
Symposium]]> Christopher Peacocke 2009-07-01 Oxford University Press <![CDATA[CONSTRAINTS AND CONVENTIONS: KANT AND GREENBERG ON AESTHETIC JUDGEMENT]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/39/4/376?rss=1&ssource=mfc Oct 1, 1999; 39:376-391
Articles]]> Jason Gaiger 1999-10-01 10.1093/bjaesthetics/39.4.376 Oxford University Press <![CDATA[THE AESTHETIC ATTITUDE]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/39/4/392?rss=1&ssource=mfc Oct 1, 1999; 39:392-399
Articles]]> Gary Kemp 1999-10-01 10.1093/bjaesthetics/39.4.392 Oxford University Press <![CDATA[THE METAPHYSICS OF THE PHOTOGRAPH]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/25/4/372?rss=1&ssource=mfc Apr 1, 1985; 25:372-379
Articles]]> K. Jones 1985-04-01 10.1093/bjaesthetics/25.4.372 Oxford University Press <![CDATA[The Philosophy and Politics of Abstract Expressionism]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/41/4/455?rss=1&ssource=mfc Oct 1, 2001; 41:455-457
Articles]]> Jason Gaiger 2001-10-01 10.1093/bjaesthetics/41.4.455 Oxford University Press <![CDATA[Photography and Causation: Responding to Scruton's Scepticism]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/4/327?rss=1&ssource=mfc Oct 1, 2009; 49:327-340
Articles]]> Dawn M. Phillips 2009-10-01 Oxford University Press <![CDATA[EDITORIAL]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/4/NP-a?rss=1&ssource=mfc Oct 1, 2009; 49:0
Editorial]]> John Hyman, Elisabeth Schellekens 2009-10-01 Oxford University Press <![CDATA[THREE KINDS OF RECORDING AND THE METAPHYSICS OF MUSIC]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/39/1/24?rss=1&ssource=mfc Jan 1, 1999; 39:24-39
Articles]]> Aron Edidin 1999-01-01 10.1093/bjaesthetics/39.1.24 Oxford University Press <![CDATA[GOMBRICH'S STORY OF ART]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/36/3/313?rss=1&ssource=mfc Jul 1, 1996; 36:313-316
Articles]]> Richard Woodfield 1996-07-01 10.1093/bjaesthetics/36.3.313 Oxford University Press <![CDATA[Kant on Genius and Art]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/47/2/199?rss=1&ssource=mfc Apr 1, 2007; 47:199-214
Articles]]> Bradley Murray 2007-04-01 10.1093/aesthj/ayl056 Oxford University Press <![CDATA[Embracing Scruton's Cultural Conservatism]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/4/371?rss=1&ssource=mfc Oct 1, 2009; 49:371-388
Articles]]> Christopher Stevens 2009-10-01 Oxford University Press <![CDATA[The Future of Tonality]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/4/427?rss=1&ssource=mfc Oct 1, 2009; 49:427-450
Articles]]> A. E. Denham 2009-10-01 Oxford University Press <![CDATA[Emotions, Fiction, and Cognitive Architecture]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/43/1/18?rss=1&ssource=mfc Jan 1, 2003; 43:18-34
Articles]]> Aaron Meskin, Jonathan M. Weinberg 2003-01-01 10.1093/bjaesthetics/43.1.18 Oxford University Press <![CDATA[ON THE COGNITIVE TRIVIALITY OF ART]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/32/3/191?rss=1&ssource=mfc Mar 1, 1992; 32:191-200
Articles]]> Jerome Stolnitz 1992-03-01 10.1093/bjaesthetics/32.3.191 Oxford University Press <![CDATA[The Illusion of Realism in Film]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/42/3/243?rss=1&ssource=mfc Jul 1, 2002; 42:243-258
Articles]]> Andrew Kania 2002-07-01 10.1093/bjaesthetics/42.3.243 Oxford University Press <![CDATA[Appropriation and Authorship in Contemporary Art]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/45/2/123?rss=1&ssource=mfc Apr 1, 2005; 45:123-137
Articles]]> Sherri Irvin 2005-04-01 10.1093/aesthj/ayi015 Oxford University Press <![CDATA[Authors' Intentions, Literary Interpretation, and Literary Value]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/46/3/223?rss=1&ssource=mfc Jul 1, 2006; 46:223-247
Articles]]> Stephen Davies 2006-07-01 10.1093/aesthj/ayl001 Oxford University Press <![CDATA[Defining Art, Creating the Canon: Artistic Value in an Era of Doubt]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/48/4/457?rss=1&ssource=mfc Oct 1, 2008; 48:457-459
Book Reviews]]> David Davies 2008-10-01 Oxford University Press <![CDATA[THE MARXIST THEORY OF ART]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/37/2/109?rss=1&ssource=mfc Apr 1, 1997; 37:109-117
Articles]]> Gordon Graham 1997-04-01 10.1093/bjaesthetics/37.2.109 Oxford University Press <![CDATA[Scruton on Rightness of Proportion in Architecture]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/4/405?rss=1&ssource=mfc Oct 1, 2009; 49:405-414
Articles]]> Rafael De Clercq 2009-10-01 Oxford University Press <![CDATA[I Could Have Done That]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/45/3/209?rss=1&ssource=mfc Jul 1, 2005; 45:209-228
Articles]]> Guy Rohrbaugh 2005-07-01 10.1093/aesthj/ayi030 Oxford University Press <![CDATA[PHOTOGRAPHY AS A REPRESENTATIONAL ART]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/29/1/1?rss=1&ssource=mfc Jan 1, 1989; 29:1-9
Articles]]> Robert Wicks 1989-01-01 10.1093/bjaesthetics/29.1.1 Oxford University Press <![CDATA[POST-MODERN PASTICHE]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/31/1/26?rss=1&ssource=mfc Jan 1, 1991; 31:26-38
Articles]]> Margaret A. Rose 1991-01-01 10.1093/bjaesthetics/31.1.26 Oxford University Press <![CDATA[NOTES ON CONTRIBUTORS]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/49/4/NP?rss=1&ssource=mfc Oct 1, 2009; 49:0
Notes on Contributors]]> 2009-10-01 Oxford University Press <![CDATA[GREENBERG'S KANT AND THE PROBLEM OF MODERNIST PAINTING]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/25/4/317?rss=1&ssource=mfc Apr 1, 1985; 25:317-325
Articles]]> Paul Crowther 1985-04-01 10.1093/bjaesthetics/25.4.317 Oxford University Press <![CDATA[The Perception of Representational Content]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/45/4/388?rss=1&ssource=mfc Oct 1, 2005; 45:388-411
Articles]]> John Dilworth 2005-10-01 10.1093/aesthj/ayi050 Oxford University Press <![CDATA[Materializing New Media Embodiment in Information Aesthetics]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/46/4/440?rss=1&ssource=mfc Oct 1, 2006; 46:440-442
Book Reviews]]> Robin Wynyard 2006-10-01 10.1093/aesthj/ayl030 Oxford University Press <![CDATA[Facts, Interpretation, and Truth in Fiction]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/47/1/64?rss=1&ssource=mfc Jan 1, 2007; 47:64-75
Articles]]> Ben Levinstein 2007-01-01 10.1093/aesthj/ayl039 Oxford University Press <![CDATA[HOW CAN WE FEAR AND PITY FICTIONS?]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/21/4/291?rss=1&ssource=mfc Apr 1, 1981; 21:291-304
Articles]]> Peter Lamarque 1981-04-01 10.1093/bjaesthetics/21.4.291 Oxford University Press <![CDATA[The Subjective Universality of Aesthetic Judgements Revisited]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/48/4/410?rss=1&ssource=mfc Oct 1, 2008; 48:410-425
Articles]]> Bart Vandenabeele 2008-10-01 Oxford University Press <![CDATA[AESTHETIC PARADOXES OF ABSTRACT EXPRESSIONISM AND POP ART]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/6/1/17?rss=1&ssource=mfc Jan 1, 1966; 6:17-25
Articles]]> Fanchon Frohlich 1966-01-01 10.1093/bjaesthetics/6.1.17 Oxford University Press <![CDATA[ON THE AESTHETIC APPRECIATION OF JAPANESE GARDENS]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/37/1/47?rss=1&ssource=mfc Jan 1, 1997; 37:47-56
Articles]]> Allen Carlson 1997-01-01 10.1093/bjaesthetics/37.1.47 Oxford University Press <![CDATA[DEFINING ART HISTORICALLY]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/19/3/232?rss=1&ssource=mfc Mar 1, 1979; 19:232-250
Articles]]> Jerrold Levinson 1979-03-01 10.1093/bjaesthetics/19.3.232 Oxford University Press <![CDATA[THE DEATH OF THE AUTHOR: AN ANALYTICAL AUTOPSY]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/30/4/319?rss=1&ssource=mfc Apr 1, 1990; 30:319-331
Articles]]> Peter Lamarque 1990-04-01 10.1093/bjaesthetics/30.4.319 Oxford University Press <![CDATA[Towards a Reasonable Objectivism for Aesthetic Judgements]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/46/2/163?rss=1&ssource=mfc Apr 1, 2006; 46:163-177
Articles]]> Elisabeth Schellekens 2006-04-01 10.1093/aesthj/ayj020 Oxford University Press <![CDATA[The Intersubjective Validity of Aesthetic Judgements]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/47/4/333?rss=1&ssource=mfc Oct 1, 2007; 47:333-371
Articles]]> Malcolm Budd 2007-10-01 10.1093/aesthj/aym021 Oxford University Press <![CDATA[DUCHAMP'S READYMADES: ART AND ANTI-ART]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/22/1/52?rss=1&ssource=mfc Jan 1, 1982; 22:52-64
Articles]]> P. N. Humble 1982-01-01 10.1093/bjaesthetics/22.1.52 Oxford University Press <![CDATA[THE PARADOX OF HORROR]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/33/4/333?rss=1&ssource=mfc Apr 1, 1993; 33:333-345
Articles]]> Berys Gaut 1993-04-01 10.1093/bjaesthetics/33.4.333 Oxford University Press <![CDATA[WALTER BENJAMIN AND THE MECHANICAL REPRODUCIBILITY OF ART WORKS REVISITED]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/33/4/357?rss=1&ssource=mfc Apr 1, 1993; 33:357-366
Articles]]> Ian Knizek 1993-04-01 10.1093/bjaesthetics/33.4.357 Oxford University Press