: Most-Cited Full-Text Articles http://bjaesthetics.oxfordjournals.org/ Most-cited rankings are recalculated at the beginning of the month and are based on citations to articles on this journal site from articles in other HighWire-hosted journals. 2009-11-11 <![CDATA[BOOK REVIEWS]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/29/1/73?rss=1&ssource=mfc Jan 1, 1989; 29:73-74
Articles]]> GILLIAN MAYES 1989-01-01 10.1093/bjaesthetics/29.1.73 Oxford University Press <![CDATA[AUTHENTICITY IN MUSICAL PERFORMANCE]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/27/1/39?rss=1&ssource=mfc Jan 1, 1987; 27:39-50
Articles]]> Stephen Davies 1987-01-01 10.1093/bjaesthetics/27.1.39 Oxford University Press <![CDATA[I Could Have Done That]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/45/3/209?rss=1&ssource=mfc Jul 1, 2005; 45:209-228
Articles]]> Guy Rohrbaugh 2005-07-01 10.1093/aesthj/ayi030 Oxford University Press <![CDATA[DOES AESTHETIC APPRECIATION OF LANDSCAPES NEED TO BE SCIENCE-BASED?]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/35/4/374?rss=1&ssource=mfc Apr 1, 1995; 35:374-386
Articles]]> Rolston Holmes III 1995-04-01 10.1093/bjaesthetics/35.4.374 Oxford University Press <![CDATA[SUSANNE LANGER ON REPRESENTATION AND EMOTION IN MUSIC]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/34/1/69?rss=1&ssource=mfc Jan 1, 1994; 34:69-80
Articles]]> Lars-Olof Ahlberg 1994-01-01 10.1093/bjaesthetics/34.1.69 Oxford University Press <![CDATA[ASSESSING ACHIEVEMENT IN THE ARTS]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/33/2/99?rss=1&ssource=mfc Feb 1, 1993; 33:99-112
Articles]]> Malcolm Ross, Sally Mitchell 1993-02-01 10.1093/bjaesthetics/33.2.99 Oxford University Press <![CDATA[SCIENTISTS' AESTHETIC JUDGEMENTS]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/31/4/332?rss=1&ssource=mfc Apr 1, 1991; 31:332-341
Articles]]> James W. McAllister 1991-04-01 10.1093/bjaesthetics/31.4.332 Oxford University Press <![CDATA[THE AESTHETIC ADEQUACY OF COPIES]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/29/3/258?rss=1&ssource=mfc Mar 1, 1989; 29:258-260
Articles]]> Graham Oddie, David Ward 1989-03-01 10.1093/bjaesthetics/29.3.258 Oxford University Press <![CDATA[THE INTERLACING OF PHILOSOPHY AND HISTORY OF ART]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/29/3/239?rss=1&ssource=mfc Mar 1, 1989; 29:239-247
Articles]]> A. MacC Armstrong 1989-03-01 10.1093/bjaesthetics/29.3.239 Oxford University Press <![CDATA[BOOK REVIEWS]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/28/4/399?rss=1&ssource=mfc Apr 1, 1988; 28:399-400
Articles]]> W G SEBALD 1988-04-01 10.1093/bjaesthetics/28.4.399 Oxford University Press <![CDATA[AUTHENTICITY IN PERFORMANCE: A REPLY TO JAMES O. YOUNG]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/28/4/373?rss=1&ssource=mfc Apr 1, 1988; 28:373-376
Articles]]> Stephen Davies 1988-04-01 10.1093/bjaesthetics/28.4.373 Oxford University Press <![CDATA[ART AND THE INDIVIDUAL IN NIETZSCHE'S BIRTH OF TRAGEDY]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/28/1/59?rss=1&ssource=mfc Jan 1, 1988; 28:59-67
Articles]]> Richard White 1988-01-01 10.1093/bjaesthetics/28.1.59 Oxford University Press <![CDATA[DECONSTRUCTING THE PUN]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/27/4/326?rss=1&ssource=mfc Apr 1, 1987; 27:326-334
Articles]]> Stuart Sim 1987-04-01 10.1093/bjaesthetics/27.4.326 Oxford University Press <![CDATA[FICTIONS]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/27/2/145?rss=1&ssource=mfc Feb 1, 1987; 27:145-155
Articles]]> Hartley Slater 1987-02-01 10.1093/bjaesthetics/27.2.145 Oxford University Press <![CDATA[AESTHETIC ASPECTS]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/27/1/9?rss=1&ssource=mfc Jan 1, 1987; 27:9-19
Articles]]> Paul Crowther 1987-01-01 10.1093/bjaesthetics/27.1.9 Oxford University Press <![CDATA[THE HISTORICITY OF AESTHETICS - II]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/26/3/195?rss=1&ssource=mfc Mar 1, 1986; 26:195-203
Articles]]> Arnold Berleant 1986-03-01 10.1093/bjaesthetics/26.3.195 Oxford University Press <![CDATA[GRACE AND FUNCTIONALITY]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/24/4/301?rss=1&ssource=mfc Apr 1, 1984; 24:301-313
Articles]]> C. D. Cordner 1984-04-01 10.1093/bjaesthetics/24.4.301 Oxford University Press <![CDATA[LEVELS OF RHYTHM IN VOCAL MUSIC]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/22/1/17?rss=1&ssource=mfc Jan 1, 1982; 22:17-36
Articles]]> Raymond Monelle 1982-01-01 10.1093/bjaesthetics/22.1.17 Oxford University Press <![CDATA[HUMAN MOVEMENT, THE AESTHETIC AND ART]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/20/2/165?rss=1&ssource=mfc Feb 1, 1980; 20:165-170
Articles]]> Louis Arnaud Reid 1980-02-01 10.1093/bjaesthetics/20.2.165 Oxford University Press <![CDATA[ART CAST OUT]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/20/1/23?rss=1&ssource=mfc Jan 1, 1980; 20:23-28
Articles]]> Philip Crick 1980-01-01 10.1093/bjaesthetics/20.1.23 Oxford University Press <![CDATA[THE CONCEPT OF CREATIVITY IN ART]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/19/3/224?rss=1&ssource=mfc Mar 1, 1979; 19:224-231
Articles]]> Osborne Harold 1979-03-01 10.1093/bjaesthetics/19.3.224 Oxford University Press <![CDATA[LEGAL AESTHETICS]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/19/3/195?rss=1&ssource=mfc Mar 1, 1979; 19:195-212
Articles]]> P.H. Karlen 1979-03-01 10.1093/bjaesthetics/19.3.195 Oxford University Press <![CDATA[INSPIRATION]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/17/3/242?rss=1&ssource=mfc Mar 1, 1977; 17:242-253
Articles]]> Harold Osborne 1977-03-01 10.1093/bjaesthetics/17.3.242 Oxford University Press <![CDATA[THE CREATIVE PROCESS IN ART]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/17/3/230?rss=1&ssource=mfc Mar 1, 1977; 17:230-241
Articles]]> Haig Khatchadourian 1977-03-01 10.1093/bjaesthetics/17.3.230 Oxford University Press <![CDATA[SKETCH FOR A SOCIOLOGY OF ART1]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/17/1/68?rss=1&ssource=mfc Jan 1, 1977; 17:68-81
Articles]]> Ron Best 1977-01-01 10.1093/bjaesthetics/17.1.68 Oxford University Press <![CDATA[A PHENOMENOLOGY OF CINEMATIC TIME AND SPACE]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/13/4/388?rss=1&ssource=mfc Apr 1, 1973; 13:388-396
Articles]]> R. P. Kolker, J. Douglas Ousley 1973-04-01 10.1093/bjaesthetics/13.4.388 Oxford University Press <![CDATA[THE NATURE OF MUSICAL EMOTION AND ITS PLACE IN THE APPRECIATIVE EXPERIENCE]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/13/2/171?rss=1&ssource=mfc Feb 1, 1973; 13:171-181
Articles]]> Elsie Payne 1973-02-01 10.1093/bjaesthetics/13.2.171 Oxford University Press <![CDATA[THE 'SECOND SELF' IN NOVEL CRITICISM]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/6/3/272?rss=1&ssource=mfc Jul 1, 1966; 6:272-290
Articles]]> John Killham 1966-07-01 10.1093/bjaesthetics/6.3.272 Oxford University Press <![CDATA[AESTHETIC APPRECIATION OF NATURE]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/3/3/195?rss=1&ssource=mfc Jul 1, 1963; 3:195-209
Articles]]> Ronald W. Hepburn 1963-07-01 10.1093/bjaesthetics/3.3.195 Oxford University Press <![CDATA[THE ORIGIN OF CREATIVE POWER IN CHILDREN]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/2/3/207?rss=1&ssource=mfc Jul 1, 1962; 2:207-226
Articles]]> Christopher Alexander 1962-07-01 10.1093/bjaesthetics/2.3.207 Oxford University Press <![CDATA[RHYTHM AND IMAGERY IN ENGLISH POETRY ]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/2/1/36?rss=1&ssource=mfc Jan 1, 1962; 2:36-54
Articles]]> William Empson 1962-01-01 10.1093/bjaesthetics/2.1.36 Oxford University Press <![CDATA[ON FIGURE AND TEXTURE IN AESTHETIC PERCEPTION]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/12/1/40?rss=1&ssource=mfc Jan 1, 1972; 12:40-59
Articles]]> Howard Gardner 1972-01-01 10.1093/bjaesthetics/12.1.40 Oxford University Press <![CDATA[FORM IN THE VISUAL ARTS]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/11/3/215?rss=1&ssource=mfc Mar 1, 1971; 11:215-226
Articles]]> Virgil C. Aldrich 1971-03-01 10.1093/bjaesthetics/11.3.215 Oxford University Press <![CDATA[LOGICAL AND PSYCHOLOGICAL CONSIDERATIONS IN THE CRITICISM OF F. R. LEAVIS]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/10/1/39?rss=1&ssource=mfc Jan 1, 1970; 10:39-57
Articles]]> James Gribble 1970-01-01 10.1093/bjaesthetics/10.1.39 Oxford University Press <![CDATA[QUASI-REALISM, ACQUAINTANCE, AND THE NORMATIVE CLAIMS OF AESTHETIC JUDGEMENT]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/44/3/277?rss=1&ssource=mfc Jul 1, 2004; 44:277-296
Articles]]> Cain Samuel Todd 2004-07-01 10.1093/bjaesthetics/44.3.277 Oxford University Press <![CDATA[Modes of Interpretation and Interpretative Constraints]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/44/2/135?rss=1&ssource=mfc Apr 1, 2004; 44:135-148
Articles]]> Stein Haugom Olsen 2004-04-01 10.1093/bjaesthetics/44.2.135 Oxford University Press <![CDATA[FEELING THE MUSICAL EMOTIONS]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/39/1/1?rss=1&ssource=mfc Jan 1, 1999; 39:1-13
Articles]]> Peter Kivy 1999-01-01 10.1093/bjaesthetics/39.1.1 Oxford University Press <![CDATA[HEIDEGGER AND THE ONTOLOGICAL SIGNIFICANCE OF THE WORK OF ART]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/38/4/394?rss=1&ssource=mfc Apr 1, 1998; 38:394-411
Articles]]> Daniel E. Palmer 1998-04-01 10.1093/bjaesthetics/38.4.394 Oxford University Press <![CDATA[CREATIVITY]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/38/3/265?rss=1&ssource=mfc Mar 1, 1998; 38:265-278
Articles]]> Matthew Rampley 1998-03-01 10.1093/bjaesthetics/38.3.265 Oxford University Press <![CDATA[ART AND AESTHETICS]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/37/3/226?rss=1&ssource=mfc Jul 1, 1997; 37:226-231
Articles]]> Hartley Slater 1997-07-01 10.1093/bjaesthetics/37.3.226 Oxford University Press <![CDATA[CANON FORMATION: IDEOLOGY OR AESTHETIC QUALITY?]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/36/2/97?rss=1&ssource=mfc Apr 1, 1996; 36:97-108
Articles]]> Willie van Peer 1996-04-01 10.1093/bjaesthetics/36.2.97 Oxford University Press <![CDATA[The Judgement of Judgement: Adam Smith's Theory of Moral Sentiments]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/41/2/138?rss=1&ssource=mfc Apr 1, 2001; 41:138-161
Articles]]> Karen Valihora 2001-04-01 10.1093/bjaesthetics/41.2.138 Oxford University Press <![CDATA[Demonic curiosity and the aesthetics of documentary photography]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/40/3/356?rss=1&ssource=mfc Jul 1, 2000; 40:356-375
Articles]]> J Friday 2000-07-01 10.1093/bjaesthetics/40.3.356 Oxford University Press <![CDATA[Art and the domain of the aesthetic]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/40/2/191?rss=1&ssource=mfc Apr 1, 2000; 40:191-208
Articles]]> N Carroll 2000-04-01 10.1093/bjaesthetics/40.2.191 Oxford University Press <![CDATA[The Art of Recording and the Aesthetics of Perfection]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/43/4/345?rss=1&ssource=mfc Oct 1, 2003; 43:345-362
Articles]]> Andy Hamilton 2003-10-01 10.1093/bjaesthetics/43.4.345 Oxford University Press <![CDATA[Between Truth and Triviality]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/43/3/224?rss=1&ssource=mfc Jul 1, 2003; 43:224-237
Articles]]> John Gibson 2003-07-01 10.1093/bjaesthetics/43.3.224 Oxford University Press <![CDATA[The Aesthetic Experience]]> http://bjaesthetics.oxfordjournals.org/cgi/content/short/43/2/158?rss=1&ssource=mfc Apr 1, 2003; 43:158-174
Articles]]> Derek Matravers 2003-04-01 10.1093/bjaesthetics/43.2.158 Oxford University Press