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Contents: Volume 44, Number 4, 2004   [Index by Author] 
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Anthony A. Derksen
OCCLUSION SHAPES AND SIZES IN A THEORY OF DEPICTION
Brit J Aesthetics 2004 44: 319-341; doi:10.1093/bjaesthetics/44.4.319 [Abstract] [PDF] [Request Permissions]  

Julian Dodd
TYPES, CONTINUANTS, AND THE ONTOLOGY OF MUSIC
Brit J Aesthetics 2004 44: 342-360; doi:10.1093/bjaesthetics/44.4.342 [Abstract] [PDF] [Request Permissions]  

Paul Crowther
DEFINING ART, DEFENDING THE CANON, CONTESTING CULTURE
Brit J Aesthetics 2004 44: 361-377; doi:10.1093/bjaesthetics/44.4.361 [Abstract] [PDF] [Request Permissions]  

Paisley Livingston
C. I. LEWIS AND THE OUTLINES OF AESTHETIC EXPERIENCE
Brit J Aesthetics 2004 44: 378-392; doi:10.1093/bjaesthetics/44.4.378 [Abstract] [PDF] [Request Permissions]  

Michael D. Hurley
THE AUDIBLE READING OF POETRY REVISITED
Brit J Aesthetics 2004 44: 393-407; doi:10.1093/bjaesthetics/44.4.393 [Abstract] [PDF] [Request Permissions]  

George Dickie
READING SIBLEY
Brit J Aesthetics 2004 44: 408-412; doi:10.1093/bjaesthetics/44.4.408 [Abstract] [PDF] [Request Permissions]  

Noël Carroll
NON-PERCEPTUAL AESTHETIC PROPERTIES: COMMENTS FOR JAMES SHELLEY
Brit J Aesthetics 2004 44: 413-423; doi:10.1093/bjaesthetics/44.4.413 [Abstract] [PDF] [Request Permissions]  

Diarmuid Costello
ON LATE STYLE: ARTHUR DANTO’S THE ABUSE OF BEAUTY
Brit J Aesthetics 2004 44: 424-439; doi:10.1093/bjaesthetics/44.4.424 [Abstract] [PDF] [Request Permissions]  

NIGEL HALLETT
Oxford Handbook of Aesthetics
Brit J Aesthetics 2004 44: 440-441; doi:10.1093/bjaesthetics/44.4.440 [PDF] [Request Permissions]  

RICHARD WOODFIELD
Style in the Art Theory of Early Modern Italy
Brit J Aesthetics 2004 44: 441-444; doi:10.1093/bjaesthetics/44.4.441 [PDF] [Request Permissions]  

BERNARD L. VAN LIEROP
Evolutionary Aesthetics
Brit J Aesthetics 2004 44: 444-445; doi:10.1093/bjaesthetics/44.4.444 [PDF] [Request Permissions]  

HUGH BREDIN
The Aesthetic of Beuron and Other Writings
Brit J Aesthetics 2004 44: 445-447; doi:10.1093/bjaesthetics/44.4.445 [PDF] [Request Permissions]  

ALEXANDER BINNS
The Cambridge Companion to Stravinsky.
Brit J Aesthetics 2004 44: 447-449; doi:10.1093/bjaesthetics/44.4.447 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.