Skip Navigation

Receive this page by email each issue: [Sign up for eTOCs]

Contents: Volume 4, Number 3, 1964   [Index by Author] 
Other Issues: Previous Next  

Down Articles

Find articles in this issue containing these words:
[Search ALL Issues]


Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Adrian Stokes
HERBERT READ
Brit J Aesthetics 1964 4: 195-197; doi:10.1093/bjaesthetics/4.3.195 [PDF] [Request Permissions]  

Roman Ingarden
ARTISTIC AND AESTHETIC VALUES
Brit J Aesthetics 1964 4: 198-213; doi:10.1093/bjaesthetics/4.3.198 [PDF] [Request Permissions]  

R. Meager
THE SUBLIME AND THE OBSCENE
Brit J Aesthetics 1964 4: 214-227; doi:10.1093/bjaesthetics/4.3.214 [PDF] [Request Permissions]  

Eva Schaper
THE ART SYMBOL
Brit J Aesthetics 1964 4: 228-239; doi:10.1093/bjaesthetics/4.3.228 [PDF] [Request Permissions]  

Wladysfaw Tatarkiewicz
THE HISTORIAN'S CONCERN WITH THE FUTURE
Brit J Aesthetics 1964 4: 240-247; doi:10.1093/bjaesthetics/4.3.240 [PDF] [Request Permissions]  

Désirée Hirst
ON THE AESTHETICS OF PROPHETIC ART
Brit J Aesthetics 1964 4: 248-252; doi:10.1093/bjaesthetics/4.3.248 [PDF] [Request Permissions]  

P. A. Michelis
COMMENTS ON GERVASE MATHEW'S ‘BYZANTINE AESTHETICS’
Brit J Aesthetics 1964 4: 253-262; doi:10.1093/bjaesthetics/4.3.253 [PDF] [Request Permissions]  

E. H. Gombrich
EVOLUTION IN THE ARTS
Brit J Aesthetics 1964 4: 263-270; doi:10.1093/bjaesthetics/4.3.263 [PDF] [Request Permissions]  

JEROME STOLNTTZ
BOOK REVIEWS
Brit J Aesthetics 1964 4: 271-274; doi:10.1093/bjaesthetics/4.3.271 [PDF] [Request Permissions]  

ROSEMARY GORDON
BOOK REVIEWS
Brit J Aesthetics 1964 4: 274-276; doi:10.1093/bjaesthetics/4.3.274 [PDF] [Request Permissions]  

DONALD MCMORRAN
BOOK REVIEWS
Brit J Aesthetics 1964 4: 276-277; doi:10.1093/bjaesthetics/4.3.276 [PDF] [Request Permissions]  

WIADYSIAW TATAHKIEWICZ
BOOK REVIEWS
Brit J Aesthetics 1964 4: 277-278; doi:10.1093/bjaesthetics/4.3.277 [PDF] [Request Permissions]  

F. N. LEES
BOOK REVIEWS
Brit J Aesthetics 1964 4: 278-279; doi:10.1093/bjaesthetics/4.3.278 [PDF] [Request Permissions]  

M. C. BRADBROOK
BOOK REVIEWS
Brit J Aesthetics 1964 4: 279-280; doi:10.1093/bjaesthetics/4.3.279 [PDF] [Request Permissions]  

JOSEPH RYKWERT
BOOK REVIEWS
Brit J Aesthetics 1964 4: 280-281; doi:10.1093/bjaesthetics/4.3.280 [PDF] [Request Permissions]  

MICHAEL LEVEY
BOOK REVIEWS
Brit J Aesthetics 1964 4: 281-282; doi:10.1093/bjaesthetics/4.3.281 [PDF] [Request Permissions]  

K. ADAMS
BOOK REVIEWS
Brit J Aesthetics 1964 4: 282; doi:10.1093/bjaesthetics/4.3.282-a [PDF] [Request Permissions]  

MICHAEL PODHO
BOOK REVIEWS
Brit J Aesthetics 1964 4: 282-283; doi:10.1093/bjaesthetics/4.3.282-b [PDF] [Request Permissions]  

PETER STOCKHAM
BOOK REVIEWS
Brit J Aesthetics 1964 4: 283; doi:10.1093/bjaesthetics/4.3.283-a [PDF] [Request Permissions]  

FRANCIS B. COOKE
BOOK REVIEWS
Brit J Aesthetics 1964 4: 283; doi:10.1093/bjaesthetics/4.3.283-b [PDF] [Request Permissions]  

Harold Osborne
FROM SUBLIME TO RIDICULOUS
Brit J Aesthetics 1964 4: 284-285; doi:10.1093/bjaesthetics/4.3.284 [PDF] [Request Permissions]  

BOOKS RECEIVED
Brit J Aesthetics 1964 4: 286; doi:10.1093/bjaesthetics/4.3.286 [PDF] [Request Permissions]  

LIST OF MEMBERS
Brit J Aesthetics 1964 4: 287-288; doi:10.1093/bjaesthetics/4.3.287 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.