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Contents: Volume 4, Number 2, 1964   [Index by Author] 
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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

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Herbert Read
THE POET AND HIS MUSE
Brit J Aesthetics 1964 4: 99-108; doi:10.1093/bjaesthetics/4.2.99 [PDF] [Request Permissions]  

F. N. Lees
IDENTIFICATION AND EMOTION IN THE NOVEL: A FEATURE OF NARRATIVE METHOD
Brit J Aesthetics 1964 4: 109-114; doi:10.1093/bjaesthetics/4.2.109 [PDF] [Request Permissions]  

ken Adams
NOTES ON CONCENTRATIZATION
Brit J Aesthetics 1964 4: 115-125; doi:10.1093/bjaesthetics/4.2.115 [PDF] [Request Permissions]  

Monica Lawlor
ON KNOWING WHAT YOU LIKE
Brit J Aesthetics 1964 4: 126-135; doi:10.1093/bjaesthetics/4.2.126 [PDF] [Request Permissions]  

Vida Carver and P. Vincent
THE BRITISH SOCIETY OF AESTHETICS
Brit J Aesthetics 1964 4: 135; doi:10.1093/bjaesthetics/4.2.135 [PDF] [Request Permissions]  

Edmond Wright
SOME BASIC PREFERENCES
Brit J Aesthetics 1964 4: 136-137; doi:10.1093/bjaesthetics/4.2.136 [PDF] [Request Permissions]  

Huw Morris Jones
THE RELEVANCE OF THE ARTIST'S INTENTIONS
Brit J Aesthetics 1964 4: 138-145; doi:10.1093/bjaesthetics/4.2.138 [PDF] [Request Permissions]  

John Kemp
THE WORK OF ART AND THE ARTIST'S INTENTIONS
Brit J Aesthetics 1964 4: 146-154; doi:10.1093/bjaesthetics/4.2.146 [PDF] [Request Permissions]  

John Cruickshank
PSYCHOCRITICISM AND LITERARY JUDGEMENT
Brit J Aesthetics 1964 4: 155-159; doi:10.1093/bjaesthetics/4.2.155 [PDF] [Request Permissions]  

Harold Osborne
NOTES ON THE AESTHETICS OF CHESS AND THE CONCEPT OF INTELLECTUAL BEAUTY
Brit J Aesthetics 1964 4: 160-163; doi:10.1093/bjaesthetics/4.2.160 [PDF] [Request Permissions]  

AUREL KOINAI
BOOK REVIEWS
Brit J Aesthetics 1964 4: 164-166; doi:10.1093/bjaesthetics/4.2.164 [PDF] [Request Permissions]  

WILLIAM RIGHTER
BOOK REVIEWS
Brit J Aesthetics 1964 4: 166-167; doi:10.1093/bjaesthetics/4.2.166 [PDF] [Request Permissions]  

CYRIL BARRETT
BOOK REVIEWS
Brit J Aesthetics 1964 4: 167-168; doi:10.1093/bjaesthetics/4.2.167 [PDF] [Request Permissions]  

RUTH SAW
BOOK REVIEWS
Brit J Aesthetics 1964 4: 168-169; doi:10.1093/bjaesthetics/4.2.168 [PDF] [Request Permissions]  

RUTH SAW
BOOK REVIEWS
Brit J Aesthetics 1964 4: 169-170; doi:10.1093/bjaesthetics/4.2.169 [PDF] [Request Permissions]  

PETER ALEXANDER
BOOK REVIEWS
Brit J Aesthetics 1964 4: 170-171; doi:10.1093/bjaesthetics/4.2.170 [PDF] [Request Permissions]  

HAROLD OSBORNE
BOOK REVIEWS
Brit J Aesthetics 1964 4: 171-172; doi:10.1093/bjaesthetics/4.2.171 [PDF] [Request Permissions]  

HAROLD OSBORNE
BOOK REVIEWS
Brit J Aesthetics 1964 4: 173; doi:10.1093/bjaesthetics/4.2.173-a [PDF] [Request Permissions]  

RACHEL MEOLI TOULMIN
BOOK REVIEWS
Brit J Aesthetics 1964 4: 173-175; doi:10.1093/bjaesthetics/4.2.173-b [PDF] [Request Permissions]  

RAYMOND DURGNAT
BOOK REVIEWS
Brit J Aesthetics 1964 4: 175-176; doi:10.1093/bjaesthetics/4.2.175 [PDF] [Request Permissions]  

ANTHONY LEWIS
BOOK REVIEWS
Brit J Aesthetics 1964 4: 176-178; doi:10.1093/bjaesthetics/4.2.176 [PDF] [Request Permissions]  

FRANK LL. HARRISON
BOOK REVIEWS
Brit J Aesthetics 1964 4: 178-179; doi:10.1093/bjaesthetics/4.2.178 [PDF] [Request Permissions]  

PHILIP DOLE
BOOK REVIEWS
Brit J Aesthetics 1964 4: 179-180; doi:10.1093/bjaesthetics/4.2.179 [PDF] [Request Permissions]  

BARBARA HARDY
BOOK REVIEWS
Brit J Aesthetics 1964 4: 180-181; doi:10.1093/bjaesthetics/4.2.180 [PDF] [Request Permissions]  

H. OSBORNE
BOOK REVIEWS
Brit J Aesthetics 1964 4: 181-182; doi:10.1093/bjaesthetics/4.2.181 [PDF] [Request Permissions]  

MICHAEL SLATER
BOOK REVIEWS
Brit J Aesthetics 1964 4: 182-183; doi:10.1093/bjaesthetics/4.2.182 [PDF] [Request Permissions]  

ROLLO CHARLES
BOOK REVIEWS
Brit J Aesthetics 1964 4: 183-184; doi:10.1093/bjaesthetics/4.2.183 [PDF] [Request Permissions]  

HELEN ROSENAU
BOOK REVIEWS
Brit J Aesthetics 1964 4: 184-186; doi:10.1093/bjaesthetics/4.2.184 [PDF] [Request Permissions]  

L. R. ROGERS
BOOK REVIEWS
Brit J Aesthetics 1964 4: 186-188; doi:10.1093/bjaesthetics/4.2.186 [PDF] [Request Permissions]  

MICHAEL PODRO
BOOK REVIEWS
Brit J Aesthetics 1964 4: 188-191; doi:10.1093/bjaesthetics/4.2.188 [PDF] [Request Permissions]  

F. P. CHAMBERS
BOOK REVIEWS
Brit J Aesthetics 1964 4: 191; doi:10.1093/bjaesthetics/4.2.191-a [PDF] [Request Permissions]  

BOOK RECEIVED
Brit J Aesthetics 1964 4: 191-192; doi:10.1093/bjaesthetics/4.2.191-b [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.