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Contents: Volume 34, Number 2, 1994   [Index by Author] 
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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

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Rudolf Arnheim
THE COMPLETENESS OF PHYSICAL AND ARTISTIC FORM
Brit J Aesthetics 1994 34: 109-113; doi:10.1093/bjaesthetics/34.2.109 [PDF] [Request Permissions]  

James D. Carney
DEFINING ART EXTERNALLY
Brit J Aesthetics 1994 34: 114-123; doi:10.1093/bjaesthetics/34.2.114 [PDF] [Request Permissions]  

Carol S. Gould
CLIVE BEEL ON AESTHETIC EXPERIENCE AND AESTHETIC TRUTH
Brit J Aesthetics 1994 34: 124-133; doi:10.1093/bjaesthetics/34.2.124 [PDF] [Request Permissions]  

Richard Woodfield
GOMBRICH, FORMALISM AND THE DESCRIPTION OF WORKS OF ART
Brit J Aesthetics 1994 34: 134-145; doi:10.1093/bjaesthetics/34.2.134 [PDF] [Request Permissions]  

T. S. Champlin
HYMAN ON NATURALISM AND THE RAM JUG
Brit J Aesthetics 1994 34: 146-150; doi:10.1093/bjaesthetics/34.2.146 [PDF] [Request Permissions]  

Victoria Yau
USE OF COLOUR IN CHINA
Brit J Aesthetics 1994 34: 151-162; doi:10.1093/bjaesthetics/34.2.151 [PDF] [Request Permissions]  

Robert Wicks
ARCHITECTURAL RESTORATION: RESURRECTION OR REPLICATION?
Brit J Aesthetics 1994 34: 163-169; doi:10.1093/bjaesthetics/34.2.163 [PDF] [Request Permissions]  

R. A. Sharpe
MAKING THE PAST: McFEE‘S FORWARD RETROACTIVISM
Brit J Aesthetics 1994 34: 170-173; doi:10.1093/bjaesthetics/34.2.170 [PDF] [Request Permissions]  

Derek Matravers
ONCE MORE WITH FEELING: A REPLY TO RIDLEY
Brit J Aesthetics 1994 34: 174-177; doi:10.1093/bjaesthetics/34.2.174 [PDF] [Request Permissions]  

GRAHAM McFEE
BOOK REVIEWS
Brit J Aesthetics 1994 34: 178-179; doi:10.1093/bjaesthetics/34.2.178 [PDF] [Request Permissions]  

ALAN SIMPSON
BOOK REVIEWS
Brit J Aesthetics 1994 34: 179-181; doi:10.1093/bjaesthetics/34.2.179 [PDF] [Request Permissions]  

COWAN JANE K
BOOK REVIEWS
Brit J Aesthetics 1994 34: 181-183; doi:10.1093/bjaesthetics/34.2.181 [PDF] [Request Permissions]  

ROGER GOODWIN
BOOK REVIEWS
Brit J Aesthetics 1994 34: 183; doi:10.1093/bjaesthetics/34.2.183-a [PDF] [Request Permissions]  

TREVOR WHITTOCK
BOOK REVIEWS
Brit J Aesthetics 1994 34: 183-185; doi:10.1093/bjaesthetics/34.2.183-b [PDF] [Request Permissions]  

ROBERT WILKINSON
BOOK REVIEWS
Brit J Aesthetics 1994 34: 185-187; doi:10.1093/bjaesthetics/34.2.185 [PDF] [Request Permissions]  

OLIVER LEAMAN
BOOK REVIEWS
Brit J Aesthetics 1994 34: 187-188; doi:10.1093/bjaesthetics/34.2.187 [PDF] [Request Permissions]  

SARAH SYMMONS
BOOK REVIEWS
Brit J Aesthetics 1994 34: 189-190; doi:10.1093/bjaesthetics/34.2.189 [PDF] [Request Permissions]  

PAUL HUMBLE
BOOK REVIEWS
Brit J Aesthetics 1994 34: 190-192; doi:10.1093/bjaesthetics/34.2.190 [PDF] [Request Permissions]  

BRIAN KENNLDY
BOOK REVIEWS
Brit J Aesthetics 1994 34: 192-193; doi:10.1093/bjaesthetics/34.2.192 [PDF] [Request Permissions]  

ANDREW BALLANTYNE
BOOK REVIEWS
Brit J Aesthetics 1994 34: 193-195; doi:10.1093/bjaesthetics/34.2.193 [PDF] [Request Permissions]  

HUGH BREDIN
BOOK REVIEWS
Brit J Aesthetics 1994 34: 195-196; doi:10.1093/bjaesthetics/34.2.195 [PDF] [Request Permissions]  

OLE MARTIN SKILLEÅS
BOOK REVIEWS
Brit J Aesthetics 1994 34: 196-197; doi:10.1093/bjaesthetics/34.2.196 [PDF] [Request Permissions]  

D R MIDGLEY
BOOK REVIEWS
Brit J Aesthetics 1994 34: 198-199; doi:10.1093/bjaesthetics/34.2.198 [PDF] [Request Permissions]  

JENNY BOURNE TAYLOR
BOOK REVIEWS
Brit J Aesthetics 1994 34: 199-201; doi:10.1093/bjaesthetics/34.2.199 [PDF] [Request Permissions]  

DIANÉ COLLINSON
BOOK REVIEWS
Brit J Aesthetics 1994 34: 201-203; doi:10.1093/bjaesthetics/34.2.201 [PDF] [Request Permissions]  

BOOKS RECEIVED
Brit J Aesthetics 1994 34: 204; doi:10.1093/bjaesthetics/34.2.204 [PDF] [Request Permissions]  

JOURNALS RECEIVED
Brit J Aesthetics 1994 34: 205; doi:10.1093/bjaesthetics/34.2.205 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.