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Contents: Volume 20, Number 3, 1980   [Index by Author] 
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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

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J. Koh
THE DRAWING LESSON
Brit J Aesthetics 1980 20: 195-203; doi:10.1093/bjaesthetics/20.3.195 [PDF] [Request Permissions]  

J. T. Harskamp
CONTEMPORANEITY, MODERNISM, AVANT-GARDE
Brit J Aesthetics 1980 20: 204-214; doi:10.1093/bjaesthetics/20.3.204 [PDF] [Request Permissions]  

Graham McFee
THE FRAUDULENT IN ART
Brit J Aesthetics 1980 20: 215-228; doi:10.1093/bjaesthetics/20.3.215 [PDF] [Request Permissions]  

H. Gene Blocker
AUTONOMY, REFERENCE AND POST-MODERN ART
Brit J Aesthetics 1980 20: 229-236; doi:10.1093/bjaesthetics/20.3.229 [PDF] [Request Permissions]  

S. V. Pradhan
PROGRESS AS A CRITICAL CATEGORY IN SOVIET CRITICISM
Brit J Aesthetics 1980 20: 237-247; doi:10.1093/bjaesthetics/20.3.237 [PDF] [Request Permissions]  

Richard Shusterman
A TENSION IN ELIOT'S POETICS
Brit J Aesthetics 1980 20: 248-253; doi:10.1093/bjaesthetics/20.3.248 [PDF] [Request Permissions]  

Jay Shir
TRUTH AND VERISIMILITUDE
Brit J Aesthetics 1980 20: 254-256; doi:10.1093/bjaesthetics/20.3.254 [PDF] [Request Permissions]  

Anthony Skillen
THE FOUNDATIONS OF ROGER SCRUTON'S THE AESTHETICS OF ARCHITECTURE
Brit J Aesthetics 1980 20: 257-265; doi:10.1093/bjaesthetics/20.3.257 [PDF] [Request Permissions]  

H. Osborne
MR. FREEDMAN, AESTHETICISM AND WORKS OF ART
Brit J Aesthetics 1980 20: 266-268; doi:10.1093/bjaesthetics/20.3.266 [PDF] [Request Permissions]  

THE BRITISH JOURNAL OF AESTHETICS
Brit J Aesthetics 1980 20: 268; doi:10.1093/bjaesthetics/20.3.268 [PDF] [Request Permissions]  

ARNOLD WHITTICK
BOOK REVIEWS
Brit J Aesthetics 1980 20: 269-270; doi:10.1093/bjaesthetics/20.3.269 [PDF] [Request Permissions]  

SHEILA M. SMITH
BOOK REVIEWS
Brit J Aesthetics 1980 20: 270-272; doi:10.1093/bjaesthetics/20.3.270 [PDF] [Request Permissions]  

HAROLD OSBORNE
BOOK REVIEWS
Brit J Aesthetics 1980 20: 272-273; doi:10.1093/bjaesthetics/20.3.272 [PDF] [Request Permissions]  

HAROLD OSBORNE
BOOK REVIEWS
Brit J Aesthetics 1980 20: 273-275; doi:10.1093/bjaesthetics/20.3.273 [PDF] [Request Permissions]  

CHRISTOPHER NORMS
BOOK REVIEWS
Brit J Aesthetics 1980 20: 275-278; doi:10.1093/bjaesthetics/20.3.275 [PDF] [Request Permissions]  

K. JONES
BOOK REVIEWS
Brit J Aesthetics 1980 20: 278-279; doi:10.1093/bjaesthetics/20.3.278 [PDF] [Request Permissions]  

GARY MEAD
BOOK REVIEWS
Brit J Aesthetics 1980 20: 279-281; doi:10.1093/bjaesthetics/20.3.279 [PDF] [Request Permissions]  

MARCIA POINTON
BOOK REVIEWS
Brit J Aesthetics 1980 20: 281-284; doi:10.1093/bjaesthetics/20.3.281 [PDF] [Request Permissions]  

JUDITH PRIESTMAN
BOOK REVIEWS
Brit J Aesthetics 1980 20: 284-286; doi:10.1093/bjaesthetics/20.3.284 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.