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Contents: Volume 16, Number 2, 1976   [Index by Author] 
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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

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Harold Osborne
THE NEW SENSIBILITY OF THE 1960s
Brit J Aesthetics 1976 16: 99-107; doi:10.1093/bjaesthetics/16.2.99 [PDF] [Request Permissions]  

E. J. Bond
SOME WORDS USED IN APPRAISING WORKS OF ART
Brit J Aesthetics 1976 16: 108-116; doi:10.1093/bjaesthetics/16.2.108 [PDF] [Request Permissions]  

Philip Meeson
WHY SHOULD WE TAKE ART SERIOUSLY?
Brit J Aesthetics 1976 16: 117-127; doi:10.1093/bjaesthetics/16.2.117 [PDF] [Request Permissions]  

James P. Scanlan
THE IMPOSSIBILITY OF A UNIQUELY AUTHENTIC MARXIST AESTHETICS
Brit J Aesthetics 1976 16: 128-136; doi:10.1093/bjaesthetics/16.2.128 [PDF] [Request Permissions]  

M. Hardman
RUSKIN'S ‘MASSY COMMONSENSE’
Brit J Aesthetics 1976 16: 137-143; doi:10.1093/bjaesthetics/16.2.137 [PDF] [Request Permissions]  

M.P.T. Leahy
THE VACUITY OF MUSICAL EXPRESSIONISM
Brit J Aesthetics 1976 16: 144-156; doi:10.1093/bjaesthetics/16.2.144 [PDF] [Request Permissions]  

Gibbins Peter
LOGICS AS MODELS OF MUSIC
Brit J Aesthetics 1976 16: 157-160; doi:10.1093/bjaesthetics/16.2.157 [PDF] [Request Permissions]  

H. Rosenau
CORRESPONDENCE
Brit J Aesthetics 1976 16: 160; doi:10.1093/bjaesthetics/16.2.160 [PDF] [Request Permissions]  

ARNOLD W. FOSTER
THE SLOW RADICAL: RESTRICTIONS ON THE ARTIST AS A CHANGE AGENT
Brit J Aesthetics 1976 16: 161-169; doi:10.1093/bjaesthetics/16.2.161 [PDF] [Request Permissions]  

PETER OWEN
BOOK REVIEWS
Brit J Aesthetics 1976 16: 170-172; doi:10.1093/bjaesthetics/16.2.170 [PDF] [Request Permissions]  

HUGH T. BREDIN
BOOK REVIEWS
Brit J Aesthetics 1976 16: 172-174; doi:10.1093/bjaesthetics/16.2.172 [PDF] [Request Permissions]  

ROBERT J. YANAL
BOOK REVIEWS
Brit J Aesthetics 1976 16: 174-176; doi:10.1093/bjaesthetics/16.2.174 [PDF] [Request Permissions]  

SHEILA M. SMITH
BOOK REVIEWS
Brit J Aesthetics 1976 16: 176-177; doi:10.1093/bjaesthetics/16.2.176 [PDF] [Request Permissions]  

SHEILA M. SMITH
BOOK REVIEWS
Brit J Aesthetics 1976 16: 177-179; doi:10.1093/bjaesthetics/16.2.177 [PDF] [Request Permissions]  

SHEILA M. SMITH
BOOK REVIEWS
Brit J Aesthetics 1976 16: 179-180; doi:10.1093/bjaesthetics/16.2.179 [PDF] [Request Permissions]  

NORRIS CHRISTOPHER
BOOK REVIEWS
Brit J Aesthetics 1976 16: 180-182; doi:10.1093/bjaesthetics/16.2.180 [PDF] [Request Permissions]  

OWEN PETER
BOOK REVIEWS
Brit J Aesthetics 1976 16: 182-183; doi:10.1093/bjaesthetics/16.2.182 [PDF] [Request Permissions]  

MARY C. ROSE
BOOK REVIEWS
Brit J Aesthetics 1976 16: 183-184; doi:10.1093/bjaesthetics/16.2.183 [PDF] [Request Permissions]  

A.E. CHARLES
BOOK REVIEWS
Brit J Aesthetics 1976 16: 184; doi:10.1093/bjaesthetics/16.2.184-a [PDF] [Request Permissions]  

PETER STOCKHAM
BOOK REVIEWS
Brit J Aesthetics 1976 16: 184-185; doi:10.1093/bjaesthetics/16.2.184-b [PDF] [Request Permissions]  

PETER STOCKHAM
BOOK REVIEWS
Brit J Aesthetics 1976 16: 185; doi:10.1093/bjaesthetics/16.2.185-a [PDF] [Request Permissions]  

PETER STOCKHAM
BOOK REVIEWS
Brit J Aesthetics 1976 16: 185; doi:10.1093/bjaesthetics/16.2.185-b [PDF] [Request Permissions]  

David B. Richardson
NATURE-APPRECIATION CONVENTIONS AND THE ART WORLD
Brit J Aesthetics 1976 16: 186-191; doi:10.1093/bjaesthetics/16.2.186 [PDF] [Request Permissions]  

THE BRITISH SOCIETY OF AESTHETICS
Brit J Aesthetics 1976 16: 192; doi:10.1093/bjaesthetics/16.2.192 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.