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The British Journal of Aesthetics 2009 49(2):179-183; doi:10.1093/aesthj/ayp004
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© British Society of Aesthetics 2009. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oxfordjournals.org

Ontologese and Musical Nihilism: A Reply to Cameron

Stefano Predelli

Stefano Predelli,University of Nottingham

stefano.predelli{at}nottingham.ac.uk


  Abstract

In a recent essay in this journal, Ross Cameron presents a novel solution to the problem of musical creation.1 The solution is of the ‘using a sledgehammer to crack a nut’ variety, since side by side with a dissolution of the problem of musical creation, his approach, if successful, would yield a swift answer to pretty much every central question in the ontology of art, and, for that matter, to a wide variety of perennial metaphysical difficulties. Nothing of this magnitude should be nonchalantly swept aside. Unfortunately, Cameron's approach does not survive close scrutiny.


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