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The British Journal of Aesthetics 2009 49(1):43-58; doi:10.1093/aesthj/ayn058
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© British Society of Aesthetics 2009. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oxfordjournals.org

Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy

Jason Gaiger

Jason Gaiger, The Open University, j.m.gaiger{at}open.ac.uk


   Abstract

This paper examines the assumptions underpinning one of the constitutive elements of the modern concept of art: the idea of aesthetic autonomy. I argue that the orientation of recent art practice towards what has come to be termed ‘site-specificity’ is best understood as a progressive relinquishment of the principle of aesthetic autonomy. I develop this position through a close analysis of the work of Miwon Kwon. The paper is intended as a case-study that investigates the problematic relation between historical and philosophical enquiry.


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