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The British Journal of Aesthetics 2009 49(1):25-41; doi:10.1093/aesthj/ayn056
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© British Society of Aesthetics 2009. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oxfordjournals.org

On the Very Idea of ‘Outsider Art’

David Davies

David Davies, McGill University, david.davies{at}mcgill.ca


   Abstract

There has been little serious philosophical reflection on whether, and in virtue of satisfying what conditions, ‘Outsider Art’ is art, as is standardly assumed. I critically examine a number of responses to this question implicit in curatorial practice and the critical literature. I argue that none of these responses carries conviction, and propose, on the basis of broader considerations in the philosophy of art, that the arthood of ‘Outsider’ pieces must be settled by reference to their individual provenance. This supports a parallel approach to questions about the artistic status of ‘primitive’, ‘tribal’, and more generally non-Western visual art.


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