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The British Journal of Aesthetics 2007 47(4):372-387; doi:10.1093/aesthj/aym022
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© British Society of Aesthetics 2007

Towards A Virtue Theory of Art

Peter Goldie

Peter Goldie, Department of Philosophy, University of Manchester, Manchester, UK

Email: Peter.Goldie{at}manchester.ac.uk


  Abstract

In this paper I sketch a virtue theory of art, analogous to a virtue theory of ethics along Aristotelian lines. What this involves is looking beyond a parochial conception of art understood as work of art, as product, to include intentions, motives, skills, traits, and feelings, all of which can be expressed in artistic activity. The clusters of traits that go to make up the particular virtues of art production and of art appreciation are indeed virtues in part because, when they are expressed in artistic activity, that activity is chosen for its own sake, ‘under the concept of art’; and also they are virtues in part because, when they are so expressed, the activities are themselves partly constitutive of human well-being, along with other activities, including leading an ethical life, and what Aristotle called contemplation. With a virtue theory of art before us, we can begin to see the point of art, to see why art matters to us as human beings.


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